informant38
.

-
...But of these sophisms and elenchs of merchandise I skill not...
Milton, Areopagitica

Except he had found the
standing sea-rock that even this last
Temptation breaks on; quieter than death but lovelier; peace
that quiets the desire even of praising it.

Jeffers, Meditation On Saviors


-

26.11.02

When you take time to read a book or listen to music or look at a picture, the first thing you are doing is turning your attention inwards. The outside world, with all of its demands, has to wait. As you withdraw your energy from the world, the artwork begins to reach you with energies of its own. The creativity and concentration put into the making of the artwork begin to cross-current into you. This is not simply about being recharged, as in a good night's sleep or a holiday, it is about being charged at a completely different voltage.

When I read Seamus Heaney or Ted Hughes, I'm not just reading a poet's take on the world, I am entering into a different world - a world built from the beginning on other principles. William Carlos Williams said: "It's hard to get the news from poems, but men die miserably every day for lack of what is found there."

Art's counterculture, however diverse, holds in plain sight what the material world denies - love and imagination. Art is made out of both: a passionate, reckless love of the work in its own right, as though nothing else exists, and an imaginative force that creates something new out of disparate material. Art's experiments are not funded by huge state programmes, venture capital, or junk bonds; they are done when someone picks up a pen or a brush, or sits down at the piano, or takes a piece of clay and changes it for ever. A money culture wants the figures, the bottom line, the sales, the response, it wants a return on its investment, it wants more money.

Blog Archive